Anyone feel like recording a chapter of Lawrence Lessig’s new book?
The license pretty clearly indicates that, so long as we’re not making a commercial venture of it, we can make a recording of (“perform”) the text. There are a Preface, Introduction, fifteen chapters, a conclusion and an afterword. If you’re willing to contribute an MP3 recording of a chapter (ideally, hosting it on your own server — but I’ll bet we can gird up the Disseminary to host chapters for you, if you can host it yourself — drop us a comment and let us know which chapters you’ll take. Heck, we could have duelling chapters; which version of chapter 5 do you like, Accordion Guy’s or Jenny the Shifted Librarian’s? (Disclaimer: I just typed their names in there. They haven’t offered or anything. Yet.) (Another disclaimer: When I went to Jenny’s just now to get her link, I saw that she had the same idea — and we didn’t even talk about it Wednesday night!)
If we all chip in, the effort will be minimal and the benefits great.
Here’s what we have so far:
Among those who have volunteered and specified chapters that they’ll try, we have:
Intro to the “Piracy” section (thanks for noticing this!): Chris Farmer, available here
Chapter with Governess and Bodice-Ripping: Halley (I want to hear this)
Chapter 5: AKMA (done — here it is, hefty at 15.67 Mb; anyone should feel free to compress it if you see a way to)
Chapter 12: Dave Winer, available here
Chapter 14: Ted Fletcher, David Weinberger, here
Conclusion: Enoch Choi, available here
Notes (ahem!): techt
Executive Summary: Halley “Executive” Suitt (no, it’s pronounced to rhyme with “root,” not “bleat”
Graphic: David Weinberger
I’ll read an unclaimed chapter as soon as I have a chance to get over to my office; there’s not much chance of enough quiet to read a chapter here.
Can anyone recommend downloadable recording software? I’m set on my TiBook nusing AudioRecorder; what about Windows users? Dave says the sound recorder app that comes with Windows XP only records sixty seconds at a time. [Whoops! Dave found and recommends PolderbitS for Windows, so we’ll have him on board as soon as his neighbor shuts down the lawn mower. Lawn mower? There’s something to mow already?]
Now, here’s a question for Jenny or Liz (or from a different direction, for Adam) — how should we frame the ID3 tags? I suppose the “album” should be Free Culture. The Track Name should follow the designations in the text (such as, “Chapter 1: Creators”). Is the Artist the reader, or Lawrence Lessig? If the Artist is Lessig, does the reader go into “comments”? Or shall we put both into the Artist tag (such as “Lawrence Lessig and Halley Suitt”)? Might as well do it right from the outset.
Doug suggests the settings he used: “Encoded as 48kbps mono MP3 using a licensed encoder.”
Today Lessig, tomorrow Doctorow.